Gurusiddappa profiles the ‘urban adhyathma’ or ‘urban soul’ through whom he chronicles themes of migration, displacement and the tangled relationship between human nature and capitalism. Kinetic figures performing Yoga asanas against a densely packed matrix of brand logos depict the increasingly brand-obsessed and commodified nature of the self. The raw, sinewy visual narrative with a striking, monochromatic graphic novel-like aesthetic, crackles with socio-political commentary and satire: The boundaries between what we consume and what consumes us blur and the interior world becomes an extension of the external one.

A storyteller at heart with a background in theatre and film, and a lover of Kannada literature, Gurusiddappa’s often-autobiographical works feel like visual vignettes and narrative poems, gently nudging and provoking us to observe, question and ponder on how we live, where we belong and how we connect. Rich in imagery and movement, the urban environments and landscapes are meticulously crafted with metaphors and layered with details. Wry, haiku-like titles provide clues to decipher the cryptic symbolism – for instance ‘Wrestling Nations’ depicts sparring countries as wrestlers in the ring, and the ‘Arrival of the Jersey Cow’ is both literal and an allegory for globalisation. The American bovine breed entered the Indian dairy market in the nineties and has since replaced the native Indian species leading to its increasing disappearance.

“Socio-political happenings in the society like urbanization, relocation issues of villagers, impact of science and unethical developments of cities and its impact on geography, environmental, cultural imbalance on humans are always represented in my works throughout my practice. I paint these imageries in the language of poetic realism,” he explains.

Growing up in a village in Chitradurga, Gurusiddappa moved to the busy Bangalore metropolis as a young adult. Ever since, he has carried a sense of longing for the land that he calls home and the agrarian lifestyle that he left behind. His floating, flowing canvases heal this universal feeling of loss and disconnection from our geographical roots and transport us into a world of oneness with nature. The scenes that we encounter are mesmerising and unique. Everything is interconnected as tendrils of flowers and foliage and wildly blossoming plants curl around and engulf people, animals, birds adrift on a carpet of clouds or suspended in space.

The artworks are a reminder that development is a double-edged sword and that growth sometimes comes at the cost of exploitation of natural resources and living beings. In our current market-run world where competition is valued over cooperation, and having is valued over being, the exhibition serves as a reminder to move towards simpler, more sustainable living.