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CONTEMPORARY INDIAN ART SINCE 2004

Founded in 2004 by Namu Kini and Vivek Radhakrishnan, KYNKYNY is a leading contemporary Indian art gallery based in Bangalore and Mumbai. For over two decades, the gallery has been recognized for its thoughtful curatorial vision and long-term commitment to nurturing significant artistic practices. Its exhibition programme spans painting, sculpture, and mixed media, exploring themes of cultural memory, material experimentation, socio-political discourse, and environmental engagement. KYNKYNY also offers curatorial consultancy, commissioned artworks for private and architectural projects, and personalized art advisory services for collectors.

ARTISTSARTWORKS

EXHIBITIONS

AT THE MUMBAI GALLERY

MORPHOLOGY
A Group Exhibition featuring Sandilya Theuerkauf and Meenal Singh

09th Oct - 06 Nov 2026


Although markedly different in their physical and material vocabularies, the practices of Meenal Singh and Sandilya Theuerkauf converge through a shared attentiveness to ecology, abstraction and the processes through which forms emerge and transform. Their work resists the predictability of conventional image-making, instead developing deeply personal modes of working in which material, gesture and perception remain in continual dialogue.

Morphology - the study of form, structure and the ways in which forms develop, provides a productive lens through which to encounter these practices. Here, form is not understood as fixed or predetermined, but as something in a state of continual becoming. This is particularly resonant in relation to the natural world, where growth, decay, adaptation and transformation operate without the rigid binaries through which human experience is often organized.

What brings these two practices together is not a shared visual language, but a shared understanding of abstraction as a mode of enquiry. Both artists privilege process over predetermined image, allowing material and gesture to generate unexpected possibilities. Their surfaces become records of a negotiation between intention and accident, structure and intuition, matter and imagination.

The idea of morphology also extends beyond the physical properties of the works to the artists themselves. The act of making becomes a process of reciprocal transformation: as the artists shape their materials, their understanding of themselves and the world is also reshaped. The artwork is consequently not an endpoint, but evidence of an ongoing process of becoming.

Morphology brings these divergent practices into a productive conversation. Singh’s chromatic fields and Theuerkauf’s organic constructions offer two distinct propositions about how form can emerge from experience, material and perception. One moves through colour, memory and the interior imagination; the other through matter, observation and the structures of the natural world. Both, however, remain concerned with the same fundamental question: how does something come into form ?

The exhibition proposes abstraction as a space in which that question need not have a fixed answer. Form can accumulate, dissolve, mutate and reconstitute itself. It can be observed, remembered, imagined or discovered. In the work of Singh and Theuerkauf, morphology becomes less a study of what forms are than of how they become.

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AT THE BANGALORE GALLERY

VISUAL DISOBEDIENCE
A Group Exhibition featuring Yuvan Bothysathuvar, S Ravi Shankar, Saravanan Parasuraman, Ganesh Selvaraj

18th Sept - 17th Oct 2026

KYNKYNY presents “Visual Disobedience”, a group exhibition featuring Yuvan Bothysathuvar, S Ravi Shankar, Saravanan Parasuraman and Ganesh Selvaraj. Lines are among the most elemental structures through which we apprehend the world. They describe, contain and interrupt space; establish boundaries, generate rhythm and movement, and give form to the visible. Alongside geometry, perspective, colour, texture and light, line becomes a means through which artists construct and interrogate space. In Visual Disobedience, these fundamental elements are explored through material, predominantly paper, alongside a singular and striking engagement with iron.

The exhibition brings together four artists whose practices engage abstraction through an intimate investigation of line, geometry, colour, form and material. Their work may be situated within a broader lineage of Indian abstraction, particularly the modernist experiments that emerged from the Madras Art Movement. Artists such as K.C.S. Paniker and L. Munuswamy developed vocabularies drawing upon geometry, symbolism, philosophy, vernacular visual traditions and the spatial possibilities of the picture plane. Rather than treating abstraction as a departure from lived experience, this strand of Indian modernism frequently located the abstract within systems of knowledge, perception and cosmology.

The artists inherit aspects of this legacy while subjecting them to distinctly contemporary processes of making. Paper, which constitutes the overwhelming majority of the works, is treated not simply as a support or surface, but as an active and transformative material. Through cutting, folding, layering, constructing and manipulating it, the artists push paper beyond its conventional two-dimensional limitations. Flat sheets acquire volume; lines advance or recede; planes shift through perspective; and geometry, repetition and vibrant colour combine to create optical illusions and unexpected visual effects.

The large iron sculpture extends this exploration into another material, creating a dialogue between mass and void, form and line, solidity and space. Across the exhibition, familiar materials are transformed into complex visual experiences, continually challenging our perception of what is flat and what is dimensional. Together, the works invite us to look again, disrupting the expected relationships between line, form, colour, depth and space.

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ONLINE EXHIBITION

A SOLO EXHIBITION BY PRIYANKA AELAY 

10 SEPT - 01 OCT

The forest occupies a central position in Priyanka Aelay’s new body of work. Her paintings present it not simply as a landscape, but as a complex environment in which different forms of life coexist. Animals appear within dense vegetation—sometimes alone, sometimes in pairs or groups—while distinctions between terrestrial, aquatic and aerial worlds become deliberately fluid. A fox may inhabit the same visual space as a tiger, while foliage can shift into coral and water can assume the qualities of sky. These transformations allow Aelay to consider the forest as both a physical environment and an imaginative space.

Working in fine layers of acrylic on linen, Aelay constructs landscapes that move between observation and invention. Her approach is informed by her academic research in film studies and visual culture, particularly her engagement with folklore, myth and popular storytelling, in which the forest functions as a site of uncertainty, transformation and trial.

Aelay’s landscapes resist clear boundaries. Vegetation, water, sky and animal life intersect and transform into one another, suggesting an interconnected ecology rather than separate habitats. The animals can 
be read both literally and symbolically, allowing questions of belonging, solitude, companionship and coexistence to emerge through the landscape itself.

Her treatment of colour and botanical detail reflects her long-standing interest in the miniature painting tradition, particularly its highly constructed environments and sophisticated use of colour. Rather than reproducing that tradition, she draws from its visual strategies, developing a contemporary pictorial language in which scale, transparency, pattern and spatial ambiguity become important structural devices.

It Will Rain Again When We Meet brings together these concerns around landscape, folklore, memory and interconnectedness. Aelay’s forests occupy a space between the observed world and the worlds produced by stories, offering fragments, encounters and visual clues through which viewers can construct their own readings.

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REPRESENTED ARTISTS

  • SANDILYA THEUERKAUF

    In the Deccan scrublands, Sandilya Theuerkauf finds his muses and material in thorns, wood, and bark. With these natural materials, he creates complex intricate assemblages— unique tapestries woven thickly with thorns or carefully laden with bark.  
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  • MEENAL SINGH

    Meenal Singh's large oil paintings evoke a sense of fluidity and motion, appearing to ebb and flow across the canvas. Rooted in her fascination with materiality, Meenal's work are abstract and emotional, borrowing extensively from geological events and formations.
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  • NAINA MAITHANI

    Naina Maithani is a self-taught artist who interprets the sights and sounds of the world around her using a visceral, abstract visual language. Alluringly ambiguous, she revels in the freedom and endless possibilities that formlessness offers.
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  • GURUSIDDAPPA G E

    Gurusiddappa’s dreamlike, fantastical paintings offer sharp, witty commentaries on contemporary society, urbanisation, and the costs of development on the world around us. His works provoke viewers to examine their impact on the world around them. 
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  • VEENITA S CHENDAVANKAR

    Nature, fantasy and colour, in all its extraordinary hues, tints and tones, play a significant role in Veenita Chendvankar’s art. A self-confessed dreamer, her acrylics on canvas are magical floating worlds – a free collage of her fantasies, memories, sense-impressions and the outpourings of her inner world.
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  • S RAVI SHANKAR

    S Ravi Shankar is a visual artist whose practice bridges the realms of fine art and digital design. With a solid foundation in traditional arts, he embarked on a self-taught journey into computer graphics in 1989—at a time when formal training in the field was virtually nonexistent.
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  • RAKHEE SHENOY

    Rakhee Shenoy’s surreal still life collages transport you to a realm of wonder, comfort and escape. The textile artist’s dreamy works delight in the art of crossovers and flipping how we view reality. Layered and fluid mixed media works merge internal and external worlds as they spill over onto a single frame.

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  • KRISHA BHUVA

    Krisha Bhuva is a promising young visual artist currently based in Gujarat. Her practice is deeply rooted in an admiration for nature’s quiet elegance—the graceful movements of birds, the softness of organic textures, and the timeless beauty of the feminine form.
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  • MEGHANA KISHORE

    Meghana’s artworks draw you into an abstract wilderness of colour, sensation, texture and light. Her abstract acrylics map luminous terrains that are a transportive meditative experience – a deep breath that evokes peace, calm, and solace.
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  • PUVIYARASU KANNADASAN

    Emerging artist Puviyarasu Kannadasan’s pen and ink drawings capture the pristine, pastoral beauty of Tamil Nadu’s countryside. The artworks are set in his hometown Arani in Tiruvallur, where he heads off on his bike early in the mornings to capture landscapes and settings that catch his eye, along with his drawing materials and easel.
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  • PAYAL ROKADE

    Payal Rokade, is an up and coming artist from Umred, a small town in Maharashtra. Her close relationship with nature is the foundation of her work, reflecting the harmony, complexity, and the fragility of this connection.
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  • NIVEDITA SHINDE

    A trained architect and artist, Nivedita’s work expands her empathy across divisions of race, gender, class, caste, nationality and species. Her art studio and practice comes from the material and spatial knowledge she gained on the field as an architect, resulting in shifting, experimental works.

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  • SIDDHARTH SHINGADE

    Siddharth Shingade recreates Tuljapur, where he grew up, in his artworks as he remembers it – through the prism of his memories, visions and imagination. Imbued with nostalgia, his richly layered acrylics celebrate the resilience of his people.
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  • PRIYANKA AELAY

    Priyanka Aelay’s acrylic works unfold like magic realist tales filled with birds, beasts, animals, trees and flowers in bold, vibrant colours. Her mythical, enchanted forests are filled with intricate motifs, exquisite patterns and striking imagery.
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  • YUVAN BOTHYSATHUVAR

    Yuvan Bothysathuvar creates an optical wonderland with his abstract collages. Spellbinding at first glance, their hypnotic patterns and bright pops of colour soon give way to a luminous, giddy world of strips, blobs, spangles, whorls and waves.
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  • GANAPATI HEGDE

    Ganapati Hegde paints half-real, half-imagined worlds, layered with fantastical and unexpected elements that depict the rapturously green and radiant landscape of North Karnataka’s coast where he grew up. 
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  • BHASKAR RAO BOTCHA

    Bhaskar Rao Botcha’s experimentation with figurative and street art led him to natural landscapes, consequently developing his profound, sensory interest in trees – which were to become the core element of his works. 
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  • MANISH CHAVDA

    Human figures rarely inhabit Manish Chavda’s world, and the animals and birds found in his landscapes are always few in number. He strives in his work to evoke a meditative experience, expressing the inner life of things through his slow and savoured process.
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  • G SUBRAMANIAN

    G Subramanian grew up in a village in coastal Tamil Nadu amidst folk performers and theatre troupes. His father was a stage artist, and this early exposure to make-up, costumes, screens and props shaped his unique, dramatic aesthetic vision. 
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ART ADVISORY

With two decades of experience in the art world, we provide personalized guidance to help you build or expand your art collection. Our advisory services include customized curatorial solutions for residential, corporate, and hospitality projects, along with expert recommendations on art as an investment.

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TESTIMONIALS

  • Nishika R — Denver, USA

    "It was a real treat to check out all the pieces, and the space is very well curated! I actually bought more than I was looking for, it was hard to choose!"

  • Bubli S — India

    "Even if I do not pick up anything, the gallery transports me to another world and I come out feeling at peace. The art and the curator both leave you moved."

  • Shwetha R W — Thane, India

    "I fell in love with a painting at the KYNKYNY booth, and it became the first painting that I bought for my new home!"

  • Saahil P — Mumbai, India

    "I discovered KYNKYNY at the AD Design Show 2023, and immediately liked their collection of contemporary Indian art on display."

  • Farah A M — Bengaluru, India

    "I think Namu and Vivek are trail blazers because they have not just found artists that are unique, but they always connect with these artists at a human level."

  • Vismay S — Singapore

    "We have now bought several pieces from the gallery, and the experience every time has been outstanding."

  • Ravi C – Bengaluru, India

    "Every time we feel the need to buy a new piece, we start browsing the many good galleries in Bangalore, but always end up buying from KYNKYNY because of their excellent curation."

  • Vijaya B – Bangalore, India

    "As architects we work on various typologies; different spaces need art which ties the theme of the space. Art should compliment the material palette that we work with. With these aspects in mind, at KYNKYNY, I always found art which was apt for a particular space."

  • Lakshmi K – Bengaluru, India

    "I've grown up watching dad collect art, and I vividly remember him bringing home the first painting from KYNKYNY back in 2005 - a Ganesha by the eminent Basuki Dasgupta."

  • Indira K  — Bengaluru, India

    "KYNKYNY introduced me to works by
    G Subramanian and Siddharth Shingade, and, despite having purchased works by Ganapati Hegde earlier, completely new stories and ideas came through the gallery."
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NEW ARRIVALS

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CURATOR'S PICKS

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